top of page
EntreCuerpos by Isadora d'Héloïsa - Yan Zhenzhen
'Isadora D'Héloïsa weaves together colour, music, Vogue, and Flamenco to depict the plight of the female body through potent symbolism. She imbues the costumes with layered meaning—a shift from a black tailcoat and golden bullfighter top to red pants—mirroring the female form’s journey: from an object of the desiring gaze to a vessel of abundant life force. The live soundscape, created by guitar, percussion, and cante, is rooted in traditional beauty, thrumming with an organic texture. How could one yank the female body out of the clutches of the "gaze" and return it to its owner? The answer may well depend on the practice of every single woman.'
EntreCuerpos by Isadora d'Héloïsa - The Guardian
'Isadora D’Héloïsa is “between bodies” in Entrecuerpos and also between flamenco and voguing, styles she finds akin in their background of “marginalised histories and resistance”. Performing her own choreography – accompanied by Bryan Reyes (guitar), Ago Hernandez (percussion) and Carlos de Luisa (cante) – she moves from flamenco’s tempestuous footwork and yearning to the voguing crouch of a duck walk and general runway pizzazz. [...] Its joys include some inventive skirt-ography, her ruffles transforming into cape and camouflage for a piece alternating between sheer fabulousness and inner conflict.'
EntreCuerpos by Isadora d'Héloïsa - The Observer
'Resolution Festival 2026 [...] surprise treats include from [...] Isadora D’Héloïsa.
Isadora D’Héloïsa’s Entrecuerpos (pictured), another solo show, is an intriguing mixture of flamenco and voguing, featuring three outstanding musicians (Bryan Reyes on guitar, Ago Hernandez on percussion and singer Carlos de Luisa), inventive arm-ography and a brilliant use of a flounced skirt.'
EntreCuerpos by Isadora d'Héloïsa - Bruce Marriott
'D'Héloïsa intriguingly began as a ruffled heap hidden under her long-tailed flamenco dress, slowly exposing an arm and her super-expressive hands and fingers, then moving into a duckwalk, and we were off. Accompanied by three costume changes, the emphasis seemed more on extravagant (new) vogueing dazzle, although the slickness of her clever arm movements added to the occasional more traditional flamenco movement.'
EntreCuerpos by Isadora d'Héloïsa - R.E. Pegg
'Emerging from behind the black fabric of layered ruffles: a hand. The fabric drops into a skirt and D'Héloïsa’s angular, sculpted lines surface. Her musical and bold upper body roots the following performance in fierce Vogue and Flamenco skill where live accompaniment is met by New Way and Femme elements. D'Héloïsa duck-walks, her heels rhythmically relating to the musicians. In another moment, a luxurious dip is underscored by the soft strums of a guitar'
bottom of page